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Designed by costumer Jacqueline Durran (who also designed Emma Watson's yellow gown for Beauty and the Beast ) blended '20s and '30s fashion with a modern spin, so that Knightley's gown would stand the test of time for years to come

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Sound Designer Erin Klarner gives us all the great sounds of a rowdy wedding reception every time the door to the upstairs bedroom opens, and there is a good balance of era-appropriate music (though this comes into questionable contest as the play itself states that it is set in the mid-90s but some of the music appears to be from the late 80s and early 90s, which is fine as there wasnt any music from after the play was set being used, just seems an odd choice at times) for when the scenes shift to keep the audience engaged as players exit the space and re-enter it

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